Theaterwissenschaft:
I am studying at Ohio University School of Theater as an MFA Directing Candidate. At O.U. I have been awarded the Original Works Grant which took me to Berlin, Germany. A workshop encounter with The Gob Squad during their time at the School of Theater helped me decide to pursue this curiosity leading me to Germany.
After my experience, I developed a goal to strive for a communal love of the modern theater as the Berliners seem to posses no-matter where I go and work. Most importantly I hope my work reflects my tendency towards and my admiration for devised, collaborative, and post-dramatic creations.
I am on the hunt for plays that feel ethereal. I am questioning, "What makes a good script?" and I am finding the more attached to a location, the less interested I am in the work. Why is that? What makes location such a factor in storytelling? What are the exceptions, and why are they exceptions?
After my experience, I developed a goal to strive for a communal love of the modern theater as the Berliners seem to posses no-matter where I go and work. Most importantly I hope my work reflects my tendency towards and my admiration for devised, collaborative, and post-dramatic creations.
I am on the hunt for plays that feel ethereal. I am questioning, "What makes a good script?" and I am finding the more attached to a location, the less interested I am in the work. Why is that? What makes location such a factor in storytelling? What are the exceptions, and why are they exceptions?
Bühne:
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Current
1. New work by Frank Wo/Men Collective. Premiere 2020.
2. The Women of Lockerbie at Ohio University School of Theater.
1. New work by Frank Wo/Men Collective. Premiere 2020.
2. The Women of Lockerbie at Ohio University School of Theater.
Most recent
Birthday Special, a devised solo performance on Instagram Live. Commissioned by Salvage Vanguard Theater.
Effective Magic by Kirk Lynn
Effective Magic by Kirk Lynn
Production
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NYC
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Associate Producer: The Floorshow a new play with music
Theater 71, 2019 Producer's Assistant: The Commedia Company
The Jack, Cantina Royal, 2017-2019 Translator: Raison D'Être: An Evening of Pirandello
Theater 71, 2019 Projection Programmer: Wake! Sing!
IRT, Designer: Lacey Erb Teacher's Assistant: Funny School of Good Acting
Commedia, Virginia Scott Photographer: FIT
La Mama Studios |
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ATX
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Associate Artistic Director: Frank Wo/Men Collective
-Resident Company | Texas Performing Arts 2020 -Best of Austin 2019 -Best Arts Related thing to do Austin 2019 -Top 10 in Classical and Dance 2019 -Top Ten Critics Thrills of 2017 in Austin, Texas -Outstanding Ensemble. Critics Table Awards Nomination 2017-2018 & 2018-2019. -Discussed in American Theatre Magazine, “How Rude Mechs built a ‘Mountain’ to scale.” -Featured in Art's and Culture Texas, "State of Startup: New Texas Dance Troupes" -Featured in Sightlines Magazine "Frank Wo/Men Collective's Maximization" Co-Producer: Rub a Duck
Frank Wo/Men Collective, June 2019 Co-Producer: Rick Said So
Frank Wo/Men Collective, October 2018 Creative Collaborator: Tiskettasket
Frank Wo/Men Collective, July 2017 Co-Producer: Loose Gravel
Frank Wo/Men Collective, January 2017 |
